National Arts Centre

The Hustle and Bustle of an Artistic Ottawa

There's always something to see and do in Ottawa. Say what?

Yup, it's true.  Don't believe me?  Then look at what I've been up to and what I've still got going during this two week time frame that I am in town: last Friday, I saw the incredible Hamlet (solo) at the Great Canadian Theatre Company.

Saturday night I was at the Canadian Festival of Spoken Word Finals where Ottawa took home first and second place (Teams Capital Slam & Urban Legends respectively).  Check out the very awesome Wizard of Love from Capital Slam:

[youtube=http://www.youtube.com/watch?v=EGqWGRALbYs]

Tonight, I'm checking out the launch of the undercurrent festival at the Great Canadian Theatre Company followed by the Wrecking Ball: Acting Over Politics.

Tomorrow, A Flea in her Ear at The Gladstone. Wednesday, I'm checking out a preview of the vampire play St. Nicholas at Cube Gallery.  Thursday there's a free public lecture about the importance of arts and culture in enhancing the quality of life in the urban environment at the Canadian Museum of Nature. And finally on Friday, it's opening night of Romeo and Juliet at the National Arts Centre.

Though some of these events are one night only, many go on for a few weeks.  And this is just what I'm seeing.  I haven't included a myriad of other events happening in and around town.

Really, what's your excuse?

Why Twitter?

I often forget that there are a lot of people out there who don't use Twitter or other forms of social media. Some people just don't want to learn, but many simply don't see the use in it. It's for those latter people that I write this post. Here are the top 5 reasons I use Twitter:

Customer Service Thanks to a program like Tweetdeck, I track specific keywords related to my business and my day job. Thanks to this tracking system, I caught a conversation where someone said they used to be subscribers to the Great Canadian Theatre Company but hadn't been in years because they saw a "terrible Joni Mitchell play" that made them lose interest. This play was produced almost 8 years ago and a lot has changed at the theatre since then, including a move to our new location on Wellington Street.

I immediately got in touch with this person to offer them free tickets to opening night of our next production (which at the time was blood.claat: one ooman story). He was shocked that someone would actually take the time to listen to a complaint, gladly accepted my offer and had a wonderful time at the theatre with his fiancé.

Twitter made it possible for me to discover that such a complaint existed and do something about it.

First Hand News Coverage Though the information can at times be incorrect (see for example "Gordon Lightfoot is dead" hoax), for the most part Twitter has been a great place for me to get first hand, breaking news on a variety of topics. For instance, it was on Twitter that I first learned about Charles McFarland stepping down as Artistic Associate with Third Wall Theatre (I was also the first to Tweet it back) and how I found out about the City of Ottawa's Arts & Heritage Cultural Advisory Meeting, a discovery that has led to some very interesting research at work. Lots of events will also live tweet what's going on for those who cannot be there. That's how I knew all about the National Arts Centre's French and English Theatre season launches.

New Connections Twitter has served as an introduction to many theatre practitioners in Canada and across the world. Thanks to this introduction, whenever I've found myself in a different city like Montreal or Toronto, I've had the opportunity to meet these people and make new business connections. I've also been able to meet some great people in Ottawa as well. People like @suzemuse, @cherylgain & @snobiwan among others.

Stay Connected Many of my "real life" friends are on Twitter. This gives me an opportunity to stay connected and see what they are currently doing. This has led to easy spontaneous meetings for coffee or drinks. If you're not following them already, you should say hello to @patgauthier, @HMsurfacing, @nadinethornhill, @SterlingLynch, @evanthornton, @catrionaleger among many many many others. Oh and @krisjoseph is always good for a laugh, but you probably knew that already.

Contests There is always someone having some sort of contest on Twitter and sometimes a quick reply is all it takes. So far I've won movie & theatre tickets, Easter Brunch @CanadasNAC & free passes to @ottawafolk. and those are the only things I can think of right now off the top of my head.

Again, these are my own personal reasons for using Twitter. What are some of yours?

Life Is Better When You Have A Sassy Gay Friend

Happy Easter! I hope you're all enjoying your time off. I know I am as I get ready for a fancy brunch at the National Arts Centre, a brunch a won through Twitter! In the meantime, purely for your enjoyment (and mine-it's hilarious!), I bring you 3 videos from the Second City Network's Sassy Gay Friend. Because all of Shakespeare's women would have led much better lives if they'd been given a Sassy Gay Friend.

Lots of gratitude to my own Sassy Gay Friend for sending these my way. And of course for looking out for a stupid bitch like me. My hair's never looked better.

Ophelia: [youtube=http://www.youtube.com/watch?v=jnvgq8STMGM]

Juliet: [youtube=http://www.youtube.com/watch?v=lwnFE_NpMsE&annotation_id=annotation_931649&feature=iv]

Desdemona: [youtube=http://www.youtube.com/watch?v=LKttq6EUqbE&annotation_id=annotation_816916&feature=iv]

A Learning Experience

Happy World Theatre/Earth Hour Day! It's my only day off from both stand-in work and the day job and my agent got me a sweet little gig on a student film. When she first asked me if I'd be interested in working with students from La Cite Collegiale so they could get experience working with professional actors, I immediately said yes (after all, I would be getting paid to do it). I didn't know what to expect, but figured we'd be in a classroom at the college, working through scenes as they directed us and moved lights around. Boy was I pleasantly surprised when I got the script and callsheet (really?) and saw that we would be filming in an actual bar. Although I brought my own wardrobe, I was called in early for hair and makeup (even more awesome that the makeup person is the same gal who's working on The Stepson - I guess we're both making use of our day off). Wow! I might even be able to use some of this footage in a demo reel.

The crew is really sweet and somewhat nervous. Most of them have never done this before, but you can tell they're very keen.

We have to be done at 7 p.m. before tge bar opens, which means I might still be able to make it to the Ottawa Theatre Challenge at the National Arts Centre, organized by A Company of Fools. I can't think of a better way to spend my 2010 World Theatre Day.

What will you be/have you done this year?

Enjoying Theatre on a Budget

It bothers me when actors tell me they don't go to the theatre. Excuse me? What? How can you not go to the theatre? How can you consider yourself an actor in this town and not know what the local companies are producing? Or who the key people involved are? Or who your competition might be? Often actors and crew go for drinks post-show, which then becomes a valuable opportunity to network, socialize and find out what the next big project coming to town might be.

"But Nancy, going to the theatre is expensive!" I hear you clamour. "Ah! But it does not have to be," is my reply.

As many of you know, I see almost every bit of theatre that comes to Ottawa. Out of 45 professional productions juried by Les Prix Rideau Awards in 2009, I've seen 40. that's not including the community theatre, Fringe, Magnetic North and student productions I've seen. I think last year I probably saw over 100 theatre performances. That averages out to 2 a week, which sounds about right.

This may come as a shock to you, but I am not the type to sit around in my tub with my bath pillow eating bonbons and drinking wine as I use my laptop to peruse the "next big theatrical event" I will be attending (though that's probably because using your laptop in a tub is just asking for trouble). Nor do I have an ample supply of disposable income which I use on $20 to $40 theatre tickets. No. I am a poor broke artist who just wanted to know everything there was to know about my local theatre community and I figured out the cheapest way to do it.

So, dear friends, this is how you too can enjoy your theatre on a budget.

Are you a student? TAKE ADVANTAGE OF IT! Both the National Arts Centre, the Great Canadian Theatre Company and Third Wall Theatre in Ottawa have rush tickets for students that go for something like $10 or $11 a piece if you purchase your tickets the day of the performance. Not ideal if it's a show like The Drowsy Chaperone, which sold out rather quickly, but trust me, there are a lot of performances in town that do not sell out and you would be more than happy to see your smiling face walking to the door for your rush ticket.

Of course, the tricky thing here is that most of these companies do not clearly advertise their rush ticket availabilities, which I can understand to a point. So how can you find out about them? Well, you could just call and ask. Then again, why would you do that when you have me?

I almost never took advantage of my student status when I had a valid student card and it still bothers me to this day. Think of all the great shows I missed... As an added bonus, the GCTC also has ADULT Rush Tickets for $20. No i.d. necessary, just show up after noon on any show day to get your discounted ticket.

Are You An Artist? Well, since this blog is loosely geared towards actors and other artists, I'm going to go with yes, you probably are. A lot of companies like the NAC, GCTC, Third Wall, Evolution Theatre offer artist rates. How do you prove you're an artist? Usually with your union card. That said, if you are not in any performers union, I believe they will all accept two contrasting monologues at the box office... but don't quote me on that.

Volunteer! Every theatre company in town needs volunteers and it does come with benefits. In most cases, volunteers actually get to see the show on the night of their shift. I know this is the case for Evolution Theatre and it sometimes works out for other companies like The Gladstone and A Company of Fools (unless they happen to need all their volunteers for a secret ice cream experiment...) I wanted to see the amazing Inclement Weather/Countries Shaped Like Stars again when it was presented at the GCTC, but couldn't afford the $20. I offered my services on opening night and boom! I got to fall in love all over again.

The added bonus of volunteering means you get to know the people involved with the production. Today's front of house volunteer may be tomorrow's performer... or at least that's what I keep telling myself.

Join Mailing Lists, Facebook Groups and watch Twitter Feeds How else will you know what shows are playing in town? (Other than the brilliantly up-to-date What’s On – À l’affiche listing by the Ottawa Theatre Network) Lots of theatre companies (perhaps taking a page from my book) run online contests and special promotions for their members. Vision Theatre, Evolution Theatre and Third Wall Theatre have all been known to do this. The Ottawa Fringe Festival ran a brilliant Friday Trivia contest on Twitter where you could win free tickets and other gift certificates. A Company of Fools also sends out a very informed newsletter every once in a while, so you probably want to sign up for that one too.

Pay Attention to Pay-What-You-Can! Every single company in town has a Pay-What-You-Can performance at some point in their run (and if they don't, they probably should). For instance, when I did Shining City with SevenThirty Productions, we had a PWYC matinee on the first Saturday in the run. During the summer, the Fools shows are by Pass The Hat donations. PWYC/PTH means whatever you can afford. Really, you have absolutely no excuse not to go. And how do you find out about the PWYC? See the point above this one.

Previews and Dress Rehearsals These shows are often free or cheap and take place before the official opening night. Sure you might not be getting a final polished performance, but when is a performance ever final? Besides, you're doing the theatre company a great service by being part of the test audience.

Know Somebody Finally, if not a single one of these suggestions works for you, call someone you know who might be involved with the production. (See, this is where all the networking you've been doing after attending performances is going to pay off.) Let whomever know that you can't afford to see their show but you really want to. Perhaps they will be able to offer you a comp or a discounted ticket. That said, only use this method if you really can't make it to the show otherwise. You do not want to abuse of this privilege! It's just not nice.

Or be friends with someone who happens to get a lot of invitations to shows (you know, like me). Typically these people get two free tickets to a performance and they might not have anyone to go with that night (because they happen to be single and can't meet anyone new because they spend all their time attending the theatre by themselves... ahem) I'm sure I they would be happy to have some company with which to discuss the performance post-show. Just make sure you buy me them a drink after. It's only fair.

....

What? This still isn't working for you? Alright. Fine. Here's my final solution: start your own theatre company, build it from the ground up over at least five years, somewhere in there start a blog, become a valued and indispensable part of your city's theatre scene, and watch the invitations pour in. It worked for me, but it's a lot of work. You might just want to pay the $10 instead.

I'll be seeing you at the theatre!

Just Like Opening Night, Only Cheaper

In an awesome post giving us a glimpse of the behind the scenes adventures of the National Arts Centre's Resident Acting Company's production of Mother Courage, local muckraker Kris Joseph declares: This is a week when I must remind myself that there is a difference between a preview performance (which is still a rehearsal) and an actual performance; and even though we will have members of the public watching us work as of Tuesday, we don’t actually open until Friday. Our preview audiences will, I expect, get a few glimpses of the foundation as we put the finishing touches on the walls.

It's true. When a show has never before been seen in front of an audience, it needs those previews to find its legs. It's not uncommon in New York for a new show to be in previews for a month before its official opening night. That's because the audience is the last key component to any performance. The audience response will affect everything from timing to actor reactions to, sometimes, entire sections of the script.

But what happens when a show has been on tour for years?

BASH'd: A Gay Rap Opera goes into previews tonight and tomorrow at the Great Canadian Theatre Company. It was written by Chris Craddock and Nathan Cuckow with music by Aaron Macri.

I had the pleasure of meeting Chris (can't believe I know someone in the Canadian Theatre Encyclopedia) at the Winnipeg Fringe Festival this past year (we were billet neighbours), but Ottawa audiences might remember his writing from the sold out one-woman show, PornStar (and if Brian Carroll is reading this, he will probably have a list of other shows that have also been seen in town).

BASH'd toured the Fringe Festival Circuit in 2007 before being picked up for an off-Broadway (yes, THAT Broadway) run in 2008. Recently, it was seen in Toronto at Theatre Passe-Muraille and it held its dress rehearsal at the Irving Greenberg Theatre Centre on Sunday. Overheard by one of the guests in attendance at the dress rehearsal: "This is probably the most polished dress I have ever seen on the GCTC stage."

As I said, BASH'd goes into previews tonight and tomorrow at 8 p.m. and these guys are ready to go! So, dear readers, as a special public service announcement to you (and as a part of my promotion work at the GCTC), I'm letting you know that you can see the full production of BASH'd at rates that are heavily reduced from the regular run because, well, that's how things are scheduled.

In addition, I just found out that the theatre has implemented a new Rush Ticket policy for every performance. As of noon (NOON!) on show day, you can contact the Box Office for your Rush Tickets which are $10 for students and $20 for adults.

Since it's about 1 p.m., you could get ridiculously cheap tickets for an amazing performance right now! Call 613-236-5196 to reserve your spot.

I'll be seeing you at the Theatre!

*Side note: I wonder if my blog stats will go up now that I have PornStar in the tags?

Oh, The Places You Will Go!

On Friday, I had the privilege of seeing a wonderful little show at the National Arts Centre called Elephant Wake. I'm not going to write a review. However, I will say that I liked it and that it hit me on more than just a cultural stand-point (being from a town divided between French and English lines will do that - though I do wonder how people who cannot speak French appreciated the show?) To me, the show was about loneliness and finding refuge in the past. Though not always perfect, it was beautiful to watch. If you'd like to read a review of the piece, I recommend Jessica Ruano's at the Ottawa Arts Newsletter. I agree with most of what she says. No, what really struck me with this production was where it came from. Elephant Wake was originally created as a production for the Edmonton Fringe Festival in 1995. I've latched on to this little tidbit of information for over three days now. This was a FRINGE SHOW! Now, almost 15 years later, it was being presented at the National Arts Centre, the Cultural Olympiad in Vancouver and even the Magnetic North Theatre Festival next June in Kitchener-Waterloo.

According to the program, it wasn't all sunshine and lollipops for the production. When the show was presented at the Edinburgh Fringe, they were lucky to have 8 to 10 audience members a night. One day, they only had 3 people in the audience. Two people left partway through the show apologizing that they did not speak English. I know many actors who would have canceled a production after that, but Joey Tremblay kept going and performed a one man show for one person. It takes an incredible amount of dedication and integrity to keep going (and I'm sure it didn't hurt that he started winning awards shortly after, guaranteeing a sold-out run for the rest of the festival, but still, he didn't know that.)

I am realistic. This isn't easy and not all shows blossom like this. But what hope this fills me with as I try and create my own work!

Elephant Wake is at the NAC Studio until November 14.

The Return of Blogger Row

A few months ago, I was granted a wonderful opportunity by the National Arts Centre, as a blogger, to attend a concert with the NAC Orchestra (and totally geek out from a meeting with Mr. Sulu - yes THE Mr. Sulu). The only catch was that I had to blog and tweet about the event. I had seats in the very last row of the very last balcony of the NAC's Southam Hall, which I affectionately dubbed "Blogger Row" in a tweet after realizing that I was sitting with a lot of people I followed on Twitter.

Well, the name's stuck and the NAC is doing it again. I was invited to attend Beyond the Score: Mozart's Final Piano Concerto. I won't be able to attend tonight due to a prior engagement, but I just wanted to take the time to note my appreciation to the NAC for this offer.

I've been incredibly impressed with the NAC and their social media marketing campaign. Here is a great example of an art's organization who has fully embraced new media. Their website includes videos and podcasts to make your experience more interactive; they use Youtube, Facebook and Flickr; you can access live recording's from the NAC Orchestra through their Musicbox; most of their marketing staff can also be found on Twitter.

If you're a blogger, you should definitely get in touch with these people!

As the Director of Communications for Evolution Theatre, I find this inspiring. We don't have a budget that compares to that of the National Arts Centre, but all of these means of promotion are fairly inexpensive to implement. Mostly, you just need the time to keep things up to date.

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With all this in mind, we, at Evolution Theatre, have decided to take on our own social media experiment.

Would you like a discount on our next production - the Ottawa English language premiere of Arabian Night? Then you should be our friend on Facebook!

October 15th will officially be our Facebook Friends' Night for Arabian Night at the Cube Gallery. Everyone in this group will be granted $5 off their regular ticket price ($20 general admission / $15 students, seniors and starving artists - valid id required) for this night only.

Here's what you need to do. Go to the Arabian Night event page and indicate that you will be attending the show:

http://www.facebook.com/group.php?gid=6838688181#/event.php?eid=147376941961

(Check out the incredibly hot publicity photos by the amazing Tim Ginley while you're at it!)

We will be printing out the invitation list as of 3 p.m. on October 15th. You MUST let us know you are attending the event or we won't be able to verify that you are in our group and give you your discount.

Only one ticket discount per person. If your friends would like a discount, just have them join the event and the group! It's that simple.

Seating is limited, so if you would like to reserve your seats in advance (cash payment required at the door), you can do so by calling the Cube Gallery at 613-728-1750.

Evolution Theatre's Next Show

Sulu and I

Allow me a little moment here to fully dork out. I have a few secret "shames" (quotation marks because I'm not ashamed of them at all, though others tend to be). These include such things as ABBA, video games, professional wrestling, comic books, and anything Star Trek (and all other SciFi by extension). Well, yesterday, thanks to the National Arts Centre, I got to fully geek-out at their Sci-Fi Spectacular with the NAC Orchestra. In what I consider to be an absolutely brilliant marketing move, the NAC sought out local bloggers and not only gave them free tickets to the show, but also the chance to meet the evening's narrator, George Takei (Mr. Sulu himself!) I think this is a fantastic idea since it gives the NAC an incredible web presence and shows that they are open to new media in order to attract an audience. The show was really good though everyone was wondering when George Takei would show up. Suddenly, the lights went out and there was that ever familiar hum... of course he would BEAM in! I got to chatting with a few others in Blogger Row (the very last row of the NAC balcony seemed to be set aside solely for us - no worries though, we still got an incredible view). I demonstrated my ultimate dorkdom when I pointed out that Mr. Takei wasn't narrating the text from the original Star Trek, but the one for The Next Generation. You see, in the original series, Kirk would say "it's five year mission" and "where no man has gone before" whereas Picard updated the mandate to "it's continuing mission" and made it more PC with "where no one has gone before." Contrary to what you may be thinking, I was respected for my knowledge.

After the show, Blogger Row was ushered into the NAC Salon for a private meet and greet. I have to say that Mr. Takei was a very warm and genuine individual. I could listen to him speak all day. For those who are curious, apparently his character will be coming back to Heroes in the new season. Though we were pressed for time (a fan line was quickly growing outside the Salon), he was kind enough to sign my ticket stub and pose for a photo. Though I don't have the photo yet, here's my stub.

georgetakei1

A big thank you to the NAC and @jcovert for organizing all of this. You can still get your very own glimpse of Sulu with one more performance by the orchestra tonight at 8 p.m. It's well worth it!

The Who in the What Now?

I'm pleased to announce that Evolution Theatre has been nominated in the Emerging Theatre Artist category for a Golden Cherry Award! That's fantastic!  That's phenomenal!  That's... wait a second, what are the Golden Cherry Awards?

I pride myself on being an incredibly well-informed individual when it comes to the professional performing arts scene in Ottawa.  I know what's going on within every theatre company (one small exception being what's up at the NAC, but I'm crawling my way in, just you watch me!) and on every film set.  I know who's doing what (or whom as the case may be), when and where things are happening, and how to get involved.  I know so much that I half expect people to come and ask me a favour on this, the day of my daughter's wedding.  I thought my ear was so thoroughly glued to the ground that you'd have to be careful not to trip over my head.

But with these awards I'm at a lost.  I've failed.

Well, technically, I didn't fail.  My vast and intricate network of spies has failed me.

Stupid spies!  Someone's head is going to roll.  Where the heck did I put my chainsaw?!?

Though while I'm at it, would someone care to explain to me just what exactly the Golden Cherry Awards are?  Purty please?