Magnetic North Theatre Festival

So long and thanks for all the theatre

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The Magnetic North Theatre Festival ended this past weekend. I've been to the last 4 or 5 in Ottawa and for me this was definitely one of the best ones yet. Things I loved:

  • Of the 10 productions included in the festival 4 were from Ottawa. FOUR! I remember years when we would be lucky to get one.
  • All the shows were great! One stood out for me in particular.
  • 15 Industry Spots were sponsored for local Ottawa artists.
  • The partnership with the Canada Dance Festival meant that I got to see 2 shows that made me think I may be a "dance person" after all.
  • Although I missed the Club Saw Festival Bar from years past, I was happy that the NAC 4th Stage had cheaper drink rates than what the NAC would normally offer.
  • Bar activities like THUNK Theatre's Lost & Find Project and Therapy Sessions with Self-Proclaimed Expert Emelia Symington Fedy made for a fun night out.
  • Great panel discussions like Can We Make Gender Equity More Than An Intellectual Exercise? made for awesome conversations.
  • Inspiring Pitch session.
  • I saw posters for the festival everywhere!
  • The Saskatoon contingent. I think more cities/provinces should band together and send their artists to the festival.
  • Partnering up with Soup Ottawa for an event promoting local arts projects. Congratulations to the Fresh Meat DIY Festival for walking away with the prize that night!

Things to think about:

  • While for the most part I enjoyed the One-to-One Sessions, I think I preferred the open Marketplace that happened the last time the festival was in town. There were a limited number of presenters at this year's festival, so it was at times difficult to get face time. Then while having your One-to-One time, you might discover that you were not a proper fit after all. With the Marketplace, presenters could walk by, see something that catches their eye and know immediately if it was a good fit. My 2 cents on that.
  • We had some great meals but the breakfast and lunch sessions left a lot to be desired if you had any kind of dietary restrictions. I often found myself leaving to go buy something else.
  • The street event prior to the opera was confusing.

Really? Those were the biggest criticisms I could come up with? Congratulations Mag North, you did all kinds of alright this year. Hopefully I will be seeing you in Whitehorse next summer!

I Am the Seeker

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The Magnetic North Theatre Festival has been an absolute whirlwind of activity for me. My flight from Saskatoon arrived Sunday afternoon and, after a quick shower, I immediately jumped into the Industry Series. There have been so many great discussions, connections and productions jammed into an intense 4 days. It was another solid series of shows for this festival, but one in particular has really stuck with me: What Happened to the Seeker. What Happened to the Seeker is an incredibly personal and moving event. I hesitate to call it a play as it felt more like performance art. The piece is divided into two halves, the first one split into three parts.

As I sat involved in the first two parts, I felt confused and then angry. The whole thing initially seemed self-indulgent and wanky. Oh great, another play about artists who are unable to make art. It made me so mad. I was angry people were laughing at jokes I did not find funny, but incredibly sad. I was angry at the negativity presented in the piece, the desperation and lack of hope. And I was angry at the, yes I dare say the thought crossed my mind, what I perceived to be a waste of money in creating this elaborate project. And now I was angry at my own hypocrisy and assholishness. What the hell was wrong with me?

I grabbed a drink as I walked to the third part. Well, at least there was a bar. I started wandering the exhibit before me, carefully looking, touching, reading; starting to feel unsettled by the familiarity of it all. I knew this story all too well. I reached a point that offered the audience member a chance to “release” their anger by beating up a pillow. Impulsively I went for it. Unleashing this rage I was feeling, hurting my hand in the process. I was shaking as I kept on through the exhibit and was grateful for the hug that was offered next. As I reached the end of the piece, I felt the tears coming up. I took a step back, drink in hand, trying desperately to compose myself and wondering what to do next when I spotted the Seeker. I looked at her and she looked at me. In that moment, I knew she saw me. Really saw me. As I gave her a hug, the floodgates opened and I started sobbing on her shoulder.

I finally managed to say what had been weighing on me this entire time: “This is my life.” She looked at me and I saw she was crying too. So I did what any grownup does in this situation. I ran off to get another drink.

You may have a completely different experience with this show. You may not even like it at all. But for me, this piece is something that is going to stick with me for quite sometime. And I’m not just saying that because I notice the slight bruises developing on my knuckles from that time I lost a fight with a pillow and chair.

I wasn’t angry because this was “bad” art. I was angry because it hit so close to home. What Happened to the Seeker put a broken mirror up to my face and I was pissed to confront truths in myself that I had been ignoring for a long time. Love it, hate it, this show certainly did not leave me indifferent.

 

Asking for Help

Help me!

Maritè Toledo via Compfight

I've been on the road a lot. This year, I've been across the country twice, with a few treks down to New York City for good measure. I haven't had a permanent home since May and it looks like I won't be needing one until at least October of next year. And that's very exciting. I've got some really great projects coming up and I can't wait to share them with all of you.

But all this traveling has also made me very tired and I need to take better care of myself. Which is why I have come to the realization that I need help. During the Magnetic North Theatre Festival this past June, Industry Series participants took part in informal discussion groups. The one that struck a chord with me the most was about Work-Life Balance.

And oddly enough the only group where I took a photo.

Ever since that group, I've been toying with the idea of hiring an assistant and I've finally decided to put it out there. I'll post a full job description in the next few days, but I'm looking for a student or an emerging artist who is interested in working with me and acquiring skills in production and marketing. It will require excellent writing skills and fluency in French would be a definite asset. Since I travel a lot, there is no need to be living in the same city, though preference would be given to someone in either Ottawa, Toronto or Montreal. This will be a paid position.

Like I said, I'll be posting an official job description in the next few days, but if you or someone you know is already interested, please send an email to info at nancykenny dot ca for additional information.

So Long and Thanks for All the Industry

Farväl Maja_Larsson via Compfight

Well, the Magnetic North Theatre Festival likes to end things on a high note apparently. Yesterday was the very last day of the Industry series and things were off to a very good start with the Pitch Sessions. Eight theatre companies from across the country gave ten minute pitches to a room filled with Industry delegates and the general public. I was incredibly keen on seeing this as I have never had to pitch my show for future presentation before and I definitely learned a lot. The best part was that each show pitch was different from the last and yet I wanted to see every single show that came up. It's hard to pick a stand-out show, because they all looked amazing, but I think I'm going to have to tip my hat to Rick Miller for Boom, which is going to premiere at the High Performance Rodeo in Calgary in January, because I'm really interested in the use of multi-media and performance. He is going to be doing things that I never thought were possible on stage.

Check it (and someone please produce it in a town near me):

Another Industry lunch (which BTW, thanks for feeding us!), a quick chat with my wonderful director, Tania Levy, updating her on Broken Turtles' progress so far at the festival, a panel, a quick detour for an Ottawa Fringe rehearsal & interview with Rogers TV... Then back for another event, this one pairing Industry delegates with Compass Point students so we can learn from each other... More food... And finally SubDevision! SubDevision was so much fun. And since I spent the whole night running around with my pal Kevin at The Visitorium, I recommend you head over and read what he had to say about it now. (And yes, Kevin, you got the order right ;)

Folks, though the Industry series came to a close last night, the festival is still going strong until Saturday, so be sure and catch some of it while you still can. I'll probably be stopping by the festival bar in the evenings and, of course, I'll be there for the closing night festivities this weekend.

A huge thank you to Patrick Gauthier and Emily Pearlman for producing such a wonderful series. I've made some really great connections that will serve me well going forward. This series feels like it was a real stepping stone in my professional theatre career and for that I am incredibly grateful.

Now, I feel like I'm supposed to be working on something... Oh right: next stop, Ottawa Fringe!

Magnetic North Is Trying to Kill Me

My stamina is seriously being tested, folks. I realized today that it's been at least two years since my last active participation in a theatre festival (i.e. not just going to see shows) and I'm not as young as I used to be. But, like any good muscle, this is just prep work for the marathon summer to come. The Magnetic North Theatre Festival Industry series officially started on Monday with a delicious brunch, followed by a lovely discussion group reminiscent of the GCTC backyard BBQs. Then we saw three shows (whose length make them more like 6 in Fringe terms), had a networking dinner and throughout all this I rushed to get materials printed & ready for the Marketplace the next day.

The shows themselves were incredible. War of 1812 was unlike anything I'd ever seen before. The best description I can come up with is a live-action Punch & Judy show with Canadian History. A Brimful of Asha was incredibly fun and filled with so much heart, humour and samosas. And The God That Comes... I used to be a pretty big Hawksley Workman fan. I don't typically go to concerts, but I've seen him live on three separate occasions. But that was a long time ago in what feels like another life. At the time, I was in a serious relationship and when we broke up, so did my love affair with that music (As a friend so succinctly put it: doesn't it suck when you have to break up with an album?) So here I was, excited but apprehensive. By the end of the night though, I was feeling all the feelings and hoping that those old albums would take me back. That man is a stellar performer who, with the help of 2b theatre, turned a Greek Tragedy into one of the must-see shows of this festival.

Yesterday was another big day with the Marketplace, a smorgasbord of theatre from across the country set up in the National Arts Centre 4th Stage. I was one of 30 companies with a table to pitch my company/shows to producers,  presenters, peers, students. I was pretty proud of my display and even happier with the connections that were made. And the floor at the 4th Stage was just perfect for roller skates.

Posters, flyers, awards, merch & fan art.

It was a long afternoon followed by another delicious networking dinner. Since I had already seen For the Pleasure of Seeing her Again, at this point I got my first break in the last two days. Just enough time to finish some day-job work before heading out to see Winners and Losers. I don't really know what to say about that show. I'm definitely glad I saw it, I'm still thinking about it today and it led to some amazing conversations later on, which are all very positive things, but my thoughts on it could fill a blog post of its own and I'm already running long as it is.

Now, it's 8 a.m. the next day and I'm glad my current roommate decided to make chili last night so I have something ready to eat before another big day. There's going to be pitch sessions and panels, a quick pause for some Ottawa Fringe work, and the opening of SubDevision.

Magnetic North, you're trying to kill me... in the best possible way.

Welcome Back, Magnetic North!

June in Ottawa. That special time, every second year, where the month is just jammed packed with so much theatre you might explode! With JOY! People, I love me some theatre festivals. While Ottawa Fringe is just around the corner (eep!), the Magnetic North Theatre Festival sweeps in like an older sibling jazzed to show you all the cool things they learned while they were away at school. It started, officially, on Friday with an invitation to For the Pleasure of Seeing Her Again at the National Arts Centre. Those in attendance with me absolutely adored this one. Really, nothing wrong with this production, but it just wasn't my cup of tea... or I should say that for me "the tea was very good."

Peter and Valerie press photo

Speaking of tea (and totally mixing my references), you know who makes a great cup (even if they only paid $2.99 for a box of 100 tea bags)? Lovely couple by the name of Peter and Valerie. As you can imagine, I'm a big fan of site-specific theatre these days and Peter and Valerie is a wonderfully interactive and entertaining experience... well, as entertaining as a wake can be, I suppose. For the first 30 minutes or so, I felt that same awkward feeling you get when you're politely sitting at a distant relatives house while they show you photos of people you should know because your parents knew them. And for the other half, I felt like a gossip detective (a profession I totally just made up) trying to piece together the pseudo-mystery, at least to me, of this man's life. I am absolutely not doing this show the justice it deserves with my words, but suffice to say I would go back again just to see if things change with a different audience. Unfortunately, I can't. And if you don't already have your ticket, you can't either because I hear the entire run is sold out - not hard to do when only 9 people can see it at a time. But if you are one of the lucky few with a ticket, come find me at Club SAW and tell me, please, did she tell you what was on that letter?

Oh and speaking of Club SAW, I forgot how much I enjoy that venue as an artist bar. I almost didn't go last night, but I'm so glad I did. This space should be used more often: live performances, various nooks and crannies to mix & mingle in, a wonderful outdoor patio, a cheap bar AND hot dogs! What more could you want?

The Magnetic North Theatre Festival is off to a promising start. The Industry series starts tomorrow. Really looking forward to the War of 1812, God That Comes & A Brimful of Asha... OH AND ZOMG YOU GUYS! MORRO AND JASP! MORRO AND JASP AT SUBDIVISION! I have my tickets. How about you?

Oh You!

I'm going to be honest here. Two years ago, I was severely disappointed by the Magnetic North Theatre Festival when it was in Ottawa. I had bought a full-festival Cultural Industry pass thinking I was going to be seeing the best of the best in English Canadian Theatre and attending fabulous workshops and events. Well, not so much. Of the 8 shows presented, I loved one, liked two, was a bit meh about two more and would have liked my money back for the other three. As for the Industry events, so many panels & discussions were taking place at the same time that I had trouble figuring out what to attend, got bored with some and gave up altogether... happy that, at the very least, Fringe was around the corner to show me a good time.

But this year? Well, a lot can change in two years. We met up again like exes who run into each other at a friend's wedding. Yichud charmed the pants off of me and I was pretty much done in after that.

This year: Six plays instead of eight - which makes it possible to still have a life and prepare for my Fringe show instead of exhausting myself watching plays; for me, it's been three shows I've loved and two that didn't leave me indifferent - one more to see tonight.

A nicely streamlined Industry Series with events that actually interest me - high points for me included the talk with MacIvor and the Rabbits, a talk on performer arts training called Missing Links, as well as the Speed Dating Pitch event. Last time, there was only one pitch opportunity and I wasn't available to watch it, which was disappointing. This year there were two opportunities, as well as the Speed Dating. And how nice is it that all these local groups have been able to pitch shows to a national and international audience this year?

Oh don't even get me started on the social media campaign! Regular blog updates, a Foursquare contest (which I am totally going to win), and a TWITTER WALL! Gosh, you know how I love seeing my name up on walls...

So, I guess what I'm saying, Mag North, is that, if you're up to it, I'd like to give this relationship of ours another go. What do you say?

Hero Worship

I am a professional. I have been working in the theatre industry for many years. I have some good skills and I know how to use them. I'd also like to think that I am a pleasant individual, a people person who's passionate about what she does and knows how to get other people passionate too. But most of all, I have a strong professional attitude and work ethic. And then someone comes along that just shakes all that up.

I've been working at the Great Canadian Theatre Company recently and they've got a show coming up that's also a part of the Magnetic North Theatre Festival. That show? This Is What Happens Next by Daniel MacIvor.

I don't know if I've ever mentioned this before, but I am a HUUUUUUGE fan of MacIvor's - notice the many U's in HUGE so you know I'm serious. The man's writing speaks to me on a level that hits me square in the gut. I own most of his plays. I've had the privilege of performing in one of them and regularly use a monologue from another for all of my theatre audition purposes. I can honestly say that his work is one of the reasons I was inspired to create my own one-woman show. I was incredibly disappointed when I missed his appearance in Ottawa a few years ago as part of Transgress, an event at the Writer's Festival.

And on Tuesday, I get to meet him.

My mind is racing. Just thinking about it I feel like I must be 12 and my I.Q. just dropped about 30 points. Will he like me? What if I spent all this time with one massive arts crush and it turns out he's a dick? Can I "accidentally" leave a script to my Roller Derby show lying all over the theatre? DoIhaveanythinginmyteethWhycan'tIstopsweatingWHOISTHISPERSONTALKING? Dear Jeebus please don't let anyone catch me mumbling practice conversations...

I am such a dork.

Enjoying Theatre on a Budget

It bothers me when actors tell me they don't go to the theatre. Excuse me? What? How can you not go to the theatre? How can you consider yourself an actor in this town and not know what the local companies are producing? Or who the key people involved are? Or who your competition might be? Often actors and crew go for drinks post-show, which then becomes a valuable opportunity to network, socialize and find out what the next big project coming to town might be.

"But Nancy, going to the theatre is expensive!" I hear you clamour. "Ah! But it does not have to be," is my reply.

As many of you know, I see almost every bit of theatre that comes to Ottawa. Out of 45 professional productions juried by Les Prix Rideau Awards in 2009, I've seen 40. that's not including the community theatre, Fringe, Magnetic North and student productions I've seen. I think last year I probably saw over 100 theatre performances. That averages out to 2 a week, which sounds about right.

This may come as a shock to you, but I am not the type to sit around in my tub with my bath pillow eating bonbons and drinking wine as I use my laptop to peruse the "next big theatrical event" I will be attending (though that's probably because using your laptop in a tub is just asking for trouble). Nor do I have an ample supply of disposable income which I use on $20 to $40 theatre tickets. No. I am a poor broke artist who just wanted to know everything there was to know about my local theatre community and I figured out the cheapest way to do it.

So, dear friends, this is how you too can enjoy your theatre on a budget.

Are you a student? TAKE ADVANTAGE OF IT! Both the National Arts Centre, the Great Canadian Theatre Company and Third Wall Theatre in Ottawa have rush tickets for students that go for something like $10 or $11 a piece if you purchase your tickets the day of the performance. Not ideal if it's a show like The Drowsy Chaperone, which sold out rather quickly, but trust me, there are a lot of performances in town that do not sell out and you would be more than happy to see your smiling face walking to the door for your rush ticket.

Of course, the tricky thing here is that most of these companies do not clearly advertise their rush ticket availabilities, which I can understand to a point. So how can you find out about them? Well, you could just call and ask. Then again, why would you do that when you have me?

I almost never took advantage of my student status when I had a valid student card and it still bothers me to this day. Think of all the great shows I missed... As an added bonus, the GCTC also has ADULT Rush Tickets for $20. No i.d. necessary, just show up after noon on any show day to get your discounted ticket.

Are You An Artist? Well, since this blog is loosely geared towards actors and other artists, I'm going to go with yes, you probably are. A lot of companies like the NAC, GCTC, Third Wall, Evolution Theatre offer artist rates. How do you prove you're an artist? Usually with your union card. That said, if you are not in any performers union, I believe they will all accept two contrasting monologues at the box office... but don't quote me on that.

Volunteer! Every theatre company in town needs volunteers and it does come with benefits. In most cases, volunteers actually get to see the show on the night of their shift. I know this is the case for Evolution Theatre and it sometimes works out for other companies like The Gladstone and A Company of Fools (unless they happen to need all their volunteers for a secret ice cream experiment...) I wanted to see the amazing Inclement Weather/Countries Shaped Like Stars again when it was presented at the GCTC, but couldn't afford the $20. I offered my services on opening night and boom! I got to fall in love all over again.

The added bonus of volunteering means you get to know the people involved with the production. Today's front of house volunteer may be tomorrow's performer... or at least that's what I keep telling myself.

Join Mailing Lists, Facebook Groups and watch Twitter Feeds How else will you know what shows are playing in town? (Other than the brilliantly up-to-date What’s On – À l’affiche listing by the Ottawa Theatre Network) Lots of theatre companies (perhaps taking a page from my book) run online contests and special promotions for their members. Vision Theatre, Evolution Theatre and Third Wall Theatre have all been known to do this. The Ottawa Fringe Festival ran a brilliant Friday Trivia contest on Twitter where you could win free tickets and other gift certificates. A Company of Fools also sends out a very informed newsletter every once in a while, so you probably want to sign up for that one too.

Pay Attention to Pay-What-You-Can! Every single company in town has a Pay-What-You-Can performance at some point in their run (and if they don't, they probably should). For instance, when I did Shining City with SevenThirty Productions, we had a PWYC matinee on the first Saturday in the run. During the summer, the Fools shows are by Pass The Hat donations. PWYC/PTH means whatever you can afford. Really, you have absolutely no excuse not to go. And how do you find out about the PWYC? See the point above this one.

Previews and Dress Rehearsals These shows are often free or cheap and take place before the official opening night. Sure you might not be getting a final polished performance, but when is a performance ever final? Besides, you're doing the theatre company a great service by being part of the test audience.

Know Somebody Finally, if not a single one of these suggestions works for you, call someone you know who might be involved with the production. (See, this is where all the networking you've been doing after attending performances is going to pay off.) Let whomever know that you can't afford to see their show but you really want to. Perhaps they will be able to offer you a comp or a discounted ticket. That said, only use this method if you really can't make it to the show otherwise. You do not want to abuse of this privilege! It's just not nice.

Or be friends with someone who happens to get a lot of invitations to shows (you know, like me). Typically these people get two free tickets to a performance and they might not have anyone to go with that night (because they happen to be single and can't meet anyone new because they spend all their time attending the theatre by themselves... ahem) I'm sure I they would be happy to have some company with which to discuss the performance post-show. Just make sure you buy me them a drink after. It's only fair.

....

What? This still isn't working for you? Alright. Fine. Here's my final solution: start your own theatre company, build it from the ground up over at least five years, somewhere in there start a blog, become a valued and indispensable part of your city's theatre scene, and watch the invitations pour in. It worked for me, but it's a lot of work. You might just want to pay the $10 instead.

I'll be seeing you at the theatre!

Oh, The Places You Will Go!

On Friday, I had the privilege of seeing a wonderful little show at the National Arts Centre called Elephant Wake. I'm not going to write a review. However, I will say that I liked it and that it hit me on more than just a cultural stand-point (being from a town divided between French and English lines will do that - though I do wonder how people who cannot speak French appreciated the show?) To me, the show was about loneliness and finding refuge in the past. Though not always perfect, it was beautiful to watch. If you'd like to read a review of the piece, I recommend Jessica Ruano's at the Ottawa Arts Newsletter. I agree with most of what she says. No, what really struck me with this production was where it came from. Elephant Wake was originally created as a production for the Edmonton Fringe Festival in 1995. I've latched on to this little tidbit of information for over three days now. This was a FRINGE SHOW! Now, almost 15 years later, it was being presented at the National Arts Centre, the Cultural Olympiad in Vancouver and even the Magnetic North Theatre Festival next June in Kitchener-Waterloo.

According to the program, it wasn't all sunshine and lollipops for the production. When the show was presented at the Edinburgh Fringe, they were lucky to have 8 to 10 audience members a night. One day, they only had 3 people in the audience. Two people left partway through the show apologizing that they did not speak English. I know many actors who would have canceled a production after that, but Joey Tremblay kept going and performed a one man show for one person. It takes an incredible amount of dedication and integrity to keep going (and I'm sure it didn't hurt that he started winning awards shortly after, guaranteeing a sold-out run for the rest of the festival, but still, he didn't know that.)

I am realistic. This isn't easy and not all shows blossom like this. But what hope this fills me with as I try and create my own work!

Elephant Wake is at the NAC Studio until November 14.

Nancy's MUST SEE List at the Winnipeg Fringe

Many of you probably remember my MUST SEE List for the Ottawa Fringe Festival. It was, after all, one of my top posts in June. I figured it would be nice to do the same thing for the Winnipeg Fringe. Now, this list won't be as extensive as the Ottawa one for the following reasons: 1) I don't have a VIP pass in Winnipeg which means seeing lots of shows could potentially become an expensive endeavor; 2) If I saw your show at this year's Ottawa Fringe, I probably won't see it again in Winnipeg; 3) I don't know as many companies and their work in Winnipeg - new shows will probably be added to my list, but I might not blog about them all; 4) I'm in a new city and will need to spend a lot of my time promoting my own show.

Speaking of which, if you happen to be in Winnipeg (or know people who will be) between July 16 to 26, 2009, you should definitely come out and see No Exit Upstage. Buy your tickets in advance by clicking the link in order to guarantee a spot!

Why should you see my show? Well, here are some amazing reviews from the Ottawa Fringe to wet your whistle.

Alright, now on to my list, in alphabetical order:

52 Pick Up I saw this show quite a few years ago in Ottawa when it was done by super couple Natalie Joy Quesnel and Stewart Matthews. This time it is performed by the amazing Gemma Wilcox, whose one-woman shows have always been ahit. It is written by Fringe God, TJ Dawe, and the description really says it all - "52 cards. 52 scenes about a relationship. Two actors shuffle, throw, pick up and play all 52 scenes. NO TWO SHOWS THE SAME!" If it's in all caps, you know they are serious. It's a very fun show and I can't wait to see it again... sort of. CRUMBS again for the first time I saw these guys when I was in Toronto for the COMBUSTION festival. They were impressive to watch. A very tight and dynamic improv experience. Plus, like most good improv, it takes place in a bar.

Fall Fair Boat Load was hands down my favorite show at the Ottawa Fringe Festival last year. Jayson McDonald (creator of the Big Comedy Go-To) wasn't in Ottawa this year since it overlapped with the London Fringe Festival, so I'm looking forward to seeing his new offering in Winnipeg.

Jake's Gift Ok, I'm cheating a bit because I did recently see this in Ottawa during the Magnetic North Theatre Festival. However, Jake's Gift represents everything I adore about performance: a compelling story created with love and passion, told through very simple and truthful means. Frankly, it was the only show during the MNTF that I absolutely adored and I would see it again. Scratch that. I will see it again and I'm bringing friends. Spiral Dive: Episode Two Spiral Dive: Episode One was a beautiful show I had the privilege of seeing in Ottawa. It even won an award for Outstanding Drama. I look forward to checking out the second installment of the trilogy in Winnipeg. It may be difficult however, since rumour has it they have already sold out all their advance tickets for the production.

So there are my top 5 picks for the Winnipeg Fringe Festival. Feel free to check out the full show list and let me know what you would see.

Rambling Farewell to June

This was originally going to be a wrap-up post about the Ottawa Fringe Festival, but too many amazing things happened throughout the month of June that I feel the need to go a little more in dept. Adjectives like glorious, amazing, incredible and the ever popular fantabulous will get thrown about so be prepared. This is going to be one of those look at all the great things that happened to me posts. Not because I feel like boasting about it all (ok, maybe a little), but because I sometimes need to remind myself that I am on the right path, even when a few pebbles get in my shoes. June was a month of glorious theatre intensiveness. Both the Magnetic North Theatre Festival and the Ottawa Fringe Festival took up large chunks of my time through shows, drinking, workshops, networking, drinking, creation, performance, and did I mention there may have been some drinking?

By my calculations, if you include the reading series, almost 75 shows were presented to the general public. Fantabulous! I saw the vast majority, because my sanity is somewhat in doubt.

I did an incredible amount of networking which amounted in new contacts made here and across the country. My long dormant public speaking skills also made a brief resurgence during one particular MNTF workshop which directly resulted in having the Artistic Director of the National Arts Centre's English Theatre program attending my Fringe show and the Artistic Director of one of Ottawa's oldest professional theatre companies buying me a glass of wine (though honestly I think it was because he was bored with a certain workshop, but I'm not going to argue).

Other June highlights include a stack of auditions in Ottawa, Montreal and Toronto; an extra union credit on the French side; some standardized patient work; the creation of a new production company; losing almost ten pounds; winning a crapload of gift certificates (MOST PERSISTENT DANCER FTW!) and, of course, this little show called No Exit Upstage - perhaps you've heard of it recently?

Oh, and the greatest of all my news: I received a creation grant from the City of Ottawa to develop my piece on Women's Roller Derby!!! A piece I hope to get off the ground with the help of my ultimate Fringe Crush, of course.

June was simply divine and July is shaping up to be even better: lots of get-togethers, a few tweaks and rewrites for No Exit Upstage, and then I ship off to the Winnipeg Fringe Festival.

I'm not sure how much blogging will get done between now and then, but you can be sure I will be keeping everyone up-to-date on Nancy and Natasha's Adventures in Winnipeg... That sounds catchy, like a TV series I could pitch to YTV. We'd have to clean it up a bit, but Natasha's a mom so she'd know if something wasn't appropriate...

Uh, where was I? Oh yeah, blogging about Winnipeg. Anyway, if my stats throughout the Ottawa Fringe are any indication, there are a lot of you out there who seem to be interested in what I might have to say... either that or an Adorkable Thespian just likes repeatedly clicking on my links... (Psst, Nadine, you can totally click on my links ANYTIME! - Yes, I meant that to sound dirty.)

Asphalt Jungle Shorts - The Twitter Experience

Driving back from Kitchener-Waterloo to Toronto at 1 am gives you plenty of time to think and to rant randomly. (First up, reason number 42 why I am different from my mom and my sister: I happen to like night driving - the roads are quiet and the car is bumpin'!) I can't even begin to describe how wonderful my evening was. Every song on the radio was a song I loved (though some ladies who lunch may argue that I love every song, which is mostly true but besides the point - come on, if you don't love C+C Music Factory, you have no soul!) Some of you may remember my previous adventures in KW. This time around, through some careful scheduling, I managed to be in town for the Asphalt Jungle Shorts, an absolutely wonderful little project of site specific theatre. Basically, you get taken on a trek through town and "witness" approximately 15 short plays on your journey. I had heard about the festival and applied with my own piece, Blind Date. I found out today that there were over 300 applications from playwrights so I feel very privileged to have been included.

My life is just such a beautiful dream and the best part is that I don't ever have to wake up. There is nothing quite like seeing some amazing and inspiring art taking place (and knowing that you played an albeit small part in making it happen) to really recharge your batteries. During one particularly heavy piece in the tour, two people walked up. They were covered in tattoos and scowls and didn't look like your typical theatre audience. I thought they would just walk around, but no, they stood there, and I saw giant grins form on their faces. When someone told them they could come along for the rest of the ride, they couldn't believe it. It was their first time seeing theatre and they were so enthralled, they will come back on another day to catch the show from the beginning. My heart melted. I am so amazed at this community of artists I keep finding all over the world and I am even more thrilled that all of them seem to be willing to let me sleep on their couches if I'm ever in town. And you can bet that I will one day take them up on that offer (especially with the Magnetic North Theatre Festival happening in KW next year!)

For those of you who won't be able to make it out, here is my live Twitter play-by-play of the evening (inspired by the lovely Lois and her frequent Tweets from backstage).

Enjoy!

We start at the Kava Bean Common on Gaukel Street:

@nancykenny - Free parking & french vanilla cappucino - rain or shine site specific theatre goes on

@nancykenny - Wondering if the crazy interview taking place at my table is part of the show...

@nancykenny - Groucho lookalike says something might happen

@nancykenny - Coffee shop argument We begin... I hope

@nancykenny - Aha! Interview is! part of it

@nancykenny - For copyright reasons, not Groucho but Whome

@nancykenny - Off to a great start - cat fight in the street over a clocktower - not a euphemism

@nancykenny - Group stopped by someone trying to figure out her cell camera

@nancykenny - Ah this is the clocktower

@nancykenny - Gosh lots of couples break up on this tour

@nancykenny - Group photo YAY robots!

The Tour Group - Whome is at the front - I'm at the back with the scarf

@nancykenny - If we had chosen left would we get different shows?

@nancykenny - Whome runs all the way around the park to ensure being in the lead. Corny jokes abound

@nancykenny - Random ppl swear at the actors - not part of the show - geez learn to have fun

@nancykenny - Best valley explanation of Othello ever!

@nancykenny - Jaywalking is bad. Heard from Whome: I wish I had a camera for all the fascinating things that did not happen.

@nancykenny - That's what I like to see passerbys staring w/ joy n awe (these are the people I mentioned above)

@nancykenny - Whoa another breakup. Do not come to KW for love - come for the petting zoo

@nancykenny - Whome quote: Marriage is the leading cause of divorce

@nancykenny - Intermission in a bar - my show takes place in a bar! Anticipation!

@nancykenny - Now in the furthest room in the bar. Surprised I have reception. FYI-bar is Rum Runner

@nancykenny - Hmmm Whome has disappeared but a sexy married dragon lady is flirting w/ the bartender...

@nancykenny - My show's great!

@nancykenny - "There's a gay woman trapped inside this strait man's body" HA!

@nancykenny - Whome is back! Woo!

@nancykenny - Programs given at the end so as not to ruin the surprise - they asked me to bow! TY KW! Amazing show! Even the weather complied

@nancykenny - This has been a live tweetorama from the Asphalt Jungle Shorts